Acting Schools in Italy


Simone Leonardi

Simone Leonardi Bares All

Simone Leonardi, winner of an Italian “Tony, ” has big ambitions and the talent and training to realize them. The question is, where?

Simone studied acting with director John Roman Nardoni before embarking on an apprenticeship in the UK, at the Charioteer Theatre, where he perfected his knowledge of the Shakespearean repertoire. He has studied singing with prestigious teachers Jana Mrazova and Anna Maria Di Marco, and tap-dance and musical repertoire with Ann Amendolagine. He recently directed and starred in the touring musical, The Road to Paradise?

Simone LeonardiWelcome, Simone!

What first attracted you to a life in the performing arts? How did you get your start?

I was sixteen when I started performing. It began as a pastime. One day a girl at school said, “Would you like to join the theatre workshop? I think you are good enough.” Yes, I must say I was—for a school level.

The problems started when I decided to become a professional. All the “official academies” of dramatic art I tried to attend refused me. They told me I wasn’t good enough. I decided to continue on my own and started training in song and dance privately with good (and expensive) teachers. Meanwhile I was working in several off-productions in Rome to survive and pay for the lessons.

Simone in Beauty and the BeastIn 2003 a first opportunity came: Promnibus On Stage hired me to be first cast in The Full Monty national tour. And yes, I was one of the six to get undressed! From there my career started. But I kept on studying, especially acting. It’s a never-ending story…

Of your many achievements, is there one, or several, of which you feel particularly proud?

There are two productions I’m very proud I was involved in: Stage Entertainment’s first show in Italy, Beauty and the Beast, where I was cast as Cogsworth, the clock, and Priscilla, Queen of the Desert, with the role of Bernadette, for which I won the Italian “Tony” (or Massimini Prize).

La Bernie in versione lesboIf you could play any role, what would it be? And why?

In musical theatre, I wish I could be Bert from Mary Poppins in the near future, and Henry Higgins from My Fair Lady in the next near future. As regards drama, the evil Macbeth would be my first choice. But to speak openly, my aim now is to become a director. I feel that I can’t express myself adequately with a single role. What I need instead is a single show!

You were kind enough to sing the part of composer Pasquale Frustaci, aka the “Italian Cole Porter, ” in the demo recordings of You, Fascinating You. What was it about this musical that first piqued your interest?

It was my pleasure. Well, this musical is part of Italian history. American people know how to exploit it better than we do. Plus, I have to say I was impressed by the score. My instinct suggested to me that this would be a good project to become part of. And I did!

Priscilla la regina del deserto - il musical @ Teatro Brancaccio, Roma Priscilla la regina del deserto - il musical @ Teatro Brancaccio, Roma
Harwood Academic Publishers Please Be Gentle: A Conjectural Evaluation of the Masked Performance of the Commedia Dell'Arte (Mask: A Release of Acting Resources, Vol. 3)
Book (Harwood Academic Publishers)
  • Used Book in Good Condition

Pantelis G. 'Pandy' Zolas  — Lewiston Sun Journal
He finished gymnasium in Athens, Greece, and attended university in Italy. Pandy received his doctorate in naval architecture, marine and mechanical engineering from the University of Naples, Italy.

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